Release description
For over three decades, Berlin-based DJ, producer, and curator Marcel Dettmann has remained a central force in electronic music, continuously pushing the boundaries of the craft. Deeply rooted in early influences ranging from post-punk and industrial to synth-pop, his dynamic DJ sets and expansive discography, including seminal releases on Ostgut Ton and Dekmantel, effortlessly weave together raw techno, Chicago house, electro, and avant-garde soundscapes.
Far beyond club booths and releases on his own imprints, MDR and Bad Manners, Dettmann’s multidisciplinary ethos has led him into artistic territories spanning gallery soundscapes, ballet compositions, and cinematic film scores. This relentless creative curiosity defines a career built at the intersection of dancefloor functionality, collaborative experimentation, and perpetual sonic evolution.
Dettmann introduced My Own Shadow last year, a project where music, visual art, and photography converged in two EPs, Approaching (2025) and Faultline (2026) prior to the release of the full album this coming Autumn. More than just a name, this project lets sound, image, and vision blend organically, reflecting his intuitive process of deconstruction, resonance, and emotional discovery.
Speaking about the project Marcel says “My Own Shadow wasn’t born from a big concept. I simply liked the idea of working under another name and started following it. Different things I was doing - music, photography, visual work - slowly began to connect.
It happened quite naturally. My Own Shadow is me - just seen from another perspective.” Neither an alter ego nor a departure, My Own Shadow: Album is an intimate reflection of the artist; a transient, ever-shifting form that dances with the light and subtly reshapes its contours to reveal new depths.
My Own Shadow: Album is built with textural minimalism through rhythm, tension and release, embarking on a path through the recollections and experience of the dancefloor. This space remains the ultimate proving ground where history, instinct, and transcendence collide, guiding Dettmann through his musical interests.
My Own Shadow - Album is driven by rhythm, texture, space and tension. Across tracks such as ‘Gravitational Scar’ and ‘Resolution Vector’, these elements are constantly reshaped, connecting Dettmann’s past with a sound that remains firmly in motion.
Features
- Release Information
- Label K7 Records
- Style Techno , Electro
Same Label
- A1. Roni Size - Heroes (Kruder Long Loose bossa)
- A2. Alex Reece - Jazz Master (K&D Session TM)
- B1. Bomb The Bass - Bug Powder Dust (K&D session TM)
- B2. Lamb - Trans Fatty Acid (K&D session TM)
- C1. Count Basic - Speechless (Drum & Bass)
- C2. Rocker's HiFi - Going Under (K&D Session TM)
- D1. Depeche Mode - Useless (K&D Session TM)
- D2. Count Basic - Gotta Jazz (Richard Dorfmeister Remix)
- E1. Aphrodelics - Rollin' On Chrome (Wild Motherfucker Dub)
- E2. Knowtoryous - The Revenge Of Bomberclaad (K&D session TM)
- F1. Rainer Truby Trio - Donaueschingen (Peter Kruders Donaudampfschifffahrtsgesellschaftskapitanskajutenremix)
- G1. David Holmes - Gone
- G2. Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix)
- H1. Mama Oliver - Eastwest Stoned Together
- H2. Bomb The Bass - Bug Powder Dust (Dub)
- H3. Kruder & Dorfmeister - Boogie Woogie
- I1. Sin - Where Shall I Turn (K&D session TM vol 2)
- I2. Bone Thugs N Harmony - 1st Of Tha Month (K&D Session TM)
- I3. Kruder & Dorfmeister - Lexicon
- J1. Knowtoryous - Bomberclaad Joint (K&D Session TM)
- J2. Rocker's HiFi - Going Under (Evil Love & Insanity Dub)
- J3. Strange Cargo - Million Town (K&D Session TM)
- C1. Count Basic - Speechless (Drum & Bass)
- E1. Aphrodelics - Rollin' On Chrome (Wild Motherfucker Dub)
- G2. Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix)
- J2. Rocker's HiFi - Going Under (Evil Love & Insanity Dub)